a better way to de-ess vocals
2 minmixing tip #023 - something you didn’t know about de-essing vocals 🗣️
Hallojis! This week, we’re talking about de-essing vocals with the help of my friends over at Slate Digital, let’s go!
What is a De-Esser?
A de-esser is a software plug-in that reduces sibilance in a recorded vocal track. Sibilance refers to a specific range of frequencies in a vocal that can often sound harsh and unwanted, specifically: ss / t / ch. Say these out loud, you’ll hear exactly what I’m talking about!
For all the technical nerds out there (like me hehe), a de-esser is a dynamic EQ band. In other words, a compressor for a specific range of frequencies. That specific range of frequencies is usually 6-10 kHz.
Sounds good, but what’s the trick then?
A typical vocal mixing chain might look something like this. Remember that plug-ins are processed from top-down / left-right.
Compressor > EQ > De-Esser
What I’m proposing is to place your de-esser, PRIOR to your compressor. Like this:
De-Esser > Compressor > EQ
Why? Because a compressor raises the overall level of your vocal using make-up gain. If we cut out the sibilant frequencies by de-essing BEFORE we raise that level, it ensures that we are moving forward with only the more desirable frequencies.
Any plug-in recommendations?
In our video, we are using Slate Digital’s new FG-DS plug-in, as part of their Virtual Mix Rack. They are known for software emulations of analog hardware that’s typically found in recording studios. The plug-in sounds great, and if you’re a fan of their UI and sound, I encourage you to try it out.
Full disclaimer: this week’s video was a paid partnership with Slate Digital to help promote their FG-DS plug-in. That being said, I don’t accept these types of requests unless I truly believe in the plug-in and can confidently make a recommendation 🙏🏽.
Until the next one, stay well and shine bright.
~Ravi
